Essay About Yokai

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Essay About Yokai

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Yokai: Relationship with Media (Video Essay)

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There are many stories covering this topic and one such story describes a wicked stepmother who always gave loads of meals to her own daughter but starved her stepdaughter to death. After forty-nine days the stepmother got a horrible headache that break up into a second mouth that shrieked in the voice of the lifeless lady and from then the stepmother at all times felt the starvation pains of murdered stepdaughter. The Hari onago is a creature that is also hard to distinguish from a human female.

They wander the streets at night looking for young, single men strolling alone. She will smile at him and if it is returned she will attack. Her raveled hair is supplied with barbed hooks that she makes use of to grab her victim before ripping aside his flesh and eating the remains. Her name interprets to hook woman. Hone Onna are skeleton ghosts who retain an undying love for their residing companion. She visits her lover in the night and leaves within the early morning. Neither ghost nor mate is conscious of her situation so she continues to go to draining his life drive little by little until eventual death occurs.

If someone warns the living man of the scenario the spirit may be warded off but as she decays further she grows extra highly effective. Usually, the boys give in and let her again in sealing their demise. She appears as a skeleton to everyone besides her lover to which she appears as she did in life. Her name translates to the bone girl. Their name translates to a slang term which means no way. They take pleasure in scaring humans. They prefer to wander at evening to surprise lone vacationers. Though they do not cause explicit harm, they do cause quite a fright. Often spirits manifest because of violent deaths. This is true to the Kuchisake Onna or break up mouth lady. This is a really well-known spirit in Japan. She covers the lower half of her face with a masks of some kind.

This spirit is alleged to strategy their victim and ask them in the occasion that they think she is gorgeous. If they are saying no, she slaughters them immediately. If they say yes, she removes the mask revealing the gory blood dripping mouth that has been break up from ear to ear and asks again. This three-legged aquatic creature might be an unlikely contender in the global fight against COVID The first and only recording sighting of an amabie was documented by a government official in the midth century.

According to his report, he ventured off to sea to investigate the source of a strange light. When he approached the light, an Amabie emerged to inform him of a bountiful harvest that would last for 6 years. However, should disease occur, one can keep disease and calamity at bay by simply sharing an image of its likeness with others, which prompted Twitter users in Japan to share images of an Amabie with the hashtag amabiechallenge. In fact, the Japanese Ministry of Health, Labour and Welfare has even used images of amabie in its initial campaign in the fight against the coronavirus! Tatsu, or Japanese dragons, are water-dwelling yokai similar in appearance to dragons of Western medieval lore.

While many are benevolent creatures who respond to the prayers of humans, others are terrifying beings inflicting terror upon humans. The Tatsu has male qualities and is often paired with the feminine, phoenix-like houou to symbolize yin and yang. In some forms it is also capable of shape-shifting, such as the sea god Ryujin. According to legend, the Japanese imperial family is descended from dragons , specifically the daughter of Ryujin, who bore a son that later became the father of Japan's first emperor.

In modern day Japan, the Tatsu continues to be a revered yokai; they can be found on the grounds of temples and shrines. Many festivals are held in celebration of these powerful beings, such as the Kiyomizu Temple Seiryu-e Dragon Festival honoring the dragon that drinks the water underneath the main hall of the Kyoto temple. The Kirin is a serene and majestic fire-breathing, horned creature symbolizing purity, justice, and wisdom. It is about the size of an adult deer, with dragon-like scales all over its flaming body. Its origins stem from Chinese mythology and its powers surpass those of the phoenix-like houou and tatsu dragon. Interestingly enough, the Japanese word for giraffe is also kirin , perhaps because the African animal shares similarities with the Kirin: horns, scale-like patterned skin, and long legs.

The Kirin is also the mascot for the Japanese beverage company, Kirin. Rather, Ningyo are more fish-like than human in appearance with golden scales, long fingers, and sharp talons. If one were able to successfully capture a Ningyo and feast on its flesh, they would be granted eternal life , prompting many fool-hardly fishermen to attempt to capture one. However, if one is not successful in capturing a Ningyo, they may be cursed or their entire village may be wiped away by a large wave. These yokai are mischievous pranksters that resemble human children, though they are only visible to residents of a home. Should a Zashiki Warashi disappear from a residence for any reason, misfortune may befall the home and its residents.

Japanese racoon dogs, or Tanuki, are mischievous tricksters often depicted with a bottle of sake, rather comically large testicles and wearing a straw hat. Statues of these magical, shapeshifting creatures are typically found outside restaurants and bars coyly inviting diners to drink, dine, and spend money. The Tanuki is rivalved only by the Kitsune in terms of popularity and magical ability in modern Japanese folklore. Today, the shrine is an important place for people to pray for protection from fire and theft.

Rakugo storytellers, kabuki actors, and other entertainers also pray at Chingodo Shrine for success in the entertainment world. Cunning, intelligent, and mischievous, the Kitsune, or Japanese fox, are shape-shifting yokai similar in appearance to wild foxes. Kitsune fall into one of two groups: spiritual beings that act as messengers to the gods and wood-dwelling creatures that deceive or prank unsuspecting humans. Messenger foxes are associated with Inari , the Shinto deity of rice rice cultivation who is also associated with prosperity.

Inari shrines, such as the famous Fushimi Inari-Taisha of Kyoto, are easily recognizable by their vermilion torii gates and images of foxes. Wild Kitsune, on the other hand, enjoy tricking humans and are even known to possess humans as well. Yamanba, also known as Yamauba, reside in the mountains and forests of Japan as recluses. They disguise themselves as kind eldery ladies offering lodging and meals to lost or weary hikers before revealing their true identity as an evil witch once their unsuspecting victim is asleep. However, these trendsetters proudly reclaimed the word as a means to celebrate their devotion to dark, tanned skin, bleached blonde locks, and frosted eyeshadow.

However, take care when a heavy snowstorm approaches because it could mean that Yuki Onna is not too far away! Most impressively, Foster has managed to write in a way that engages the general reader or at least the reader with little background knowledge , yet he maintains the academic robustness, scholarly tone, and level of erudition that the subject matter deserves. Showing familiarity with Japanese scholarship and vernacular culture, Pandemonium and Parade finds the rationale for continuing interest in the yokai world in everyday needs and concerns.

His work constitutes a rollicking exploration of the seventeenth- through twentieth-century worlds of yokai , a broadly inclusive term for the phantasmagoria of monsters, ghosts, mysterious apparitions, and inexplicable phenomena that have animated the Japanese cultural landscape for much of the past thousand years. Foster's book is thoughtfully conceived and carefully researched, and it is written in a graceful, occasionally journalistic style that is both suitable to its subject and a pleasure to read.

As such, Pandemonium and Parade deserves to be read by anyone interested in the strange and mysterious. Seen through the lens of yokai, this book richly considers how the passing of time evokes both awe and anxiety.

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